Japanese Noir Author Comes to London

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Fuminori Nakamura is considered one of the leading crime writers in Japan and is called the new master of ‘Japanese Noir’. Its been said that his works examine of some of the darker element of Japanese society and have netted him many awards such as the Akutagawa prize and the Kenzaburo Oe Prize, Japan’s most prestigious literary award. A number of his books have been translated into English such as The Gun, Evil and the Mask, and Last Winter, We Parted.fuminoran
 
In a recent visit to London during a talk organised by the Japanese Foundation to a packed audience, Nakamura (photo inset) explained  to interviewer  Paul Blezard just how he got started. “I started writing down my anxieties in a notebook. Then coming up to graduation in university, I loved books so much and so I  thought I should really give it a go…”
 
Asked just how does he differs from his characters in the  Gun novel. he replied “Well the  protagonist in the book treats women badly but I treat women well (he says with a wry smile.)  He is bored everyday and finds himself drawn to something strong and that something is literature. He is like me in that respect. In the Thief, I`m not a pickpocket but there is a lot of myself in the character.”  Interestingly it was the Thief (the second novel) which was actually translated. Infact he considers that some of his work is too dark to be translated.
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Where does he fit in the pantheon of Japanese literature? “People think that I`m unusual because apparently it is unusual to have mystery within literature. So as a result those who like literature will read my work and those who like mystery will read my work.”
It`s common knowledge that male novelists find writing female characters tricky. So just how does he inhabit the female mind ? ”  so it is not too light…..The character becomes me. I try to write the words as though I was living them. I need to add the weight to them”

Writers always seem to be stalked by their own irrational fears and Nakamura is no exception. “It take me a long time to hand it [novel]  over to the editor…I’m scared about whether I can put it out there. I`ve been writing now for thirteen years but I still feel that fear.” 

“So just what advice would you say to yourself 12 years ago asked the interviewer. “I would say that its going to go well so just stick at it. If you write something don`t read it out. Leave it a little while then print it out and then look at it and you will be able to look at it more objectively.”

Japanese Noir Author Comes to London

THE GOOD WIFE AN ASIA HOUSE EVENT- THE GLOBOOKS REVIEW

The Good Wife Event held recently at Asia House brought together some notable figures  to wax lyrical on the changing roles of women in society. With changing societal dynamics taking place across the region, as people marry later, stay single longer or do not marry at all, just how do women fair in these more liberal times.  Ramita Naval  author of City of Lies  and Eif Shafak of Honour and the Forty Rules of Love bang the world to rights on what is a expansive subject , covering cultural political landscapes.

Just how are womens roles changing? Ramita Naval claims that young people are experimenting, partly against oppression, partly through taking control of their own bodies. Women are getting married later and divorce rates have tripled.

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Author Ramita Naval

 

Interestingly enough there are no generational gaps preventing their parents supporting their children`s choice to divorce. Yet she goes onto reveal that there is now a trend for cohabiting couples or so called “white marriages”. Infact according to an article in LA Times (Feb 2016) Nita Ansari an expert on womens rights, mentions that “many Iranians cohabit before marriage. It’s economical. It’s a way to date and live together and not be bound by the heavy weight of marriage in a country that handicaps its youth at every turn.” ramita

Is education  the answer? Yet Ramita says that more women are going to university but it is not translating into careers for women and  that is the litmus test for any modern independent woman.

According to author Elif Shafak,Turkey is a country full of contradictions .”During the republican era, for the modernists, it was incredibly important to achieve genuine equality. It was the major goal of the new mission state. Women were expected to defeminise themselves. “

According  to Shafak,there are now lots of progressive laws. Yet in local and national politics, women are almost  non- existent, and those who are active, have to defeminise themselves. “In  society you always  have to respect the matriarch,once you are old, you are something completely different but then you are respected. However the matriarch does not help other women and therefore this maintains the status quo. In liberal circles, it is no different, especially in literature. what worrys me is that it is becoming more and more conservative in its fabric.”

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Author Elif Shafak

 

Are illiberal , conservative attitudes confined to the older generation?  “It doesn’t mean young women are more progressive. I wish it did. These  women are globally connected but there are women that are doing just the opposite. So we need to analyse how it works. Its a reaction to the West and a reaction to their parents.”    elif

 

 

Literature Programme Manager for Asia House  Jemimah Steinfeld explained just why it was important to hold the event.”Firstly its an important conversation to have. In recent years feminism has really been put on the map as evidenced by many different initiatives.. ”

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Programme Manager Jemimah Steinfeld

 

 

 

“But that does not necessarily mean we are witnessing enough positive change. Its important to continue these conversations in a bid to bring about the needed change.”

 

 “I for one walked away feeling like I knew a lot more about what was going on in India and Iran, whilst Elif Shafak is a very emotional insight into the rollback of women`s rights in Turkey felt like a call for action.”

Full of revelations, the debate shined a  light on the whole subject of womens equality or lack of it.  It provided irrefutable evidence of how far the pursuit of female equality has come but definitely how far it still needs to go. Shafak`s damming conclusion of a regression of women`s rights in Turkey made you ask just how will you halt that regression and just how soon will it happen  and more to the point, could we see it occurring elsewhere in the world?

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THE GOOD WIFE AN ASIA HOUSE EVENT- THE GLOBOOKS REVIEW